![]() ![]() It’s a plasticized foam core, so it’s quick to work with and not terribly heavy. ![]() The model ended up being almost three feet long. And so I tried to put those pieces on in a rhythm and scale that meant they would respond to lighting. I wanted very absorbent black with a little bit of a sheen for lighting, and I wanted semi-gloss white. Christopher Webb at FX WRX’s studio space with the Voyager set-up. I pulled the whole thing apart several times and changed it. I like having a model to stare at and interact with. I was looking for something I thought Syd Mead would do. I’d just pick up pieces and see what felt right together. I made a bunch of pieces and laid them all out. In the spirit of David Smith, the American sculptor, I tried to let the shapes speak for themselves. How did you make that?Ĭhristopher Webb: I had worked at various model shops for almost 10 years, and we have a shop at FX WRX to build things like this. ![]() B&a: Firstly, let’s talk about the sculpture or model itself. ![]()
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